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Conversations With Richard Wright (Literary Conversations Series), by Richard Wright, Keneth Kinnamon, Michel Fabre
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For more than two decades Richard Wright was interviewed by the American and foreign press, first as the author of Uncle Tom's Children (1938), Native Son (1940), and Black Boy (1945), next as a famous expatriate recently arrived and lionized in postwar Paris, and finally as the seasoned writer of a dozen books. At the end of his life the young man from Mississippi had become a well-traveled intellectual deeply interested in the social and political as well as literary and racial issues of the Old, the New, and the Third World.
Conversations with Richard Wright collects some fifty interviews, many of which are little known in the United States because they appeared in non-English European periodicals and newspapers. This collection reveals a serious, often didactic Wright, giving voice to his inarticulate brothers and sisters as he reveals his racially representative colonialism. Most of his interviewers were white men, and he was always trying to make them listen. European issues also claimed his attention as he struggled to reconcile Marxism, Freudianism, and existentialism to the political realities from 1945 to his death in 1960.
- Sales Rank: #5002913 in Books
- Published on: 1993-11
- Original language: English
- Number of items: 1
- Dimensions: 9.25" h x 6.25" w x 1.00" l,
- Binding: Hardcover
- 253 pages
Most helpful customer reviews
2 of 2 people found the following review helpful.
Relevant today
By cycle 'til I die
I discovered Wright ("Black Boy"---his bio) while volunteering as a student group discussion "facilitator" at our downtown charter high school. I wanted to learn more of him in "Conversations" and did. Much of the book gives answers (why he preferred) for his expat days in Paris, France where he died. I can't understand why he isn't quoted (and read) more in these days of awakened racism in the U.S. Many of the comments (on Amazon) label him as a "whiner" but I disagree. He liked his polemic/literary style and NEVER viewed himself as Black, but merely another human trying to survive on the planet.
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